Making It in America
October 11, 2013 – February 9, 2014
"Making It in America" is an intellectual and aesthetic journey into the heart of the metaphor and metonymy that is "America" (interestingly evoking many of the historic, literary and philosophical themes that resonate in Gertrude Stein's tome "The Making of Americans,” despite its modernism). To that end, this exhibit's exploration of the provenance, inspiration and function of objects and art from pre-Revolutionary times.......
Co-curated by two of the most talented and respected curators in the field, Maureen O’Brien, curator of painting and sculpture, and Elizabeth Williams, curator of decorative arts and design, this exhibition speaks to questions about the nature and function of cultural production, both in terms of art and decorative art. The juxtaposition of painting and object allows thoughtful visitors to examine the relationship between triptych that is "art" object" and "commerce." And, of course, Thomas Jayne's inimitable eye and intellectual compositions have virtually created what we understand the "living history" of decorative arts in the United States.
This exhibition, which draws on the RISD Museum's impeccable collection, should not be understood as an uncovering of the past as much as it should be advanced and broached as a vehicle for understanding our future. It is an exhibition not to be missed by anyone looking to understand American (and America's idea of continental) visual culture -- Joanne Molina
(full press statement below)
More than 100 outstanding works of painting, sculpture, and decorative arts from the RISD Museum’s collection illuminate connections between American ambitions and the making of art in Making It in America.
The exhibition opens with a free public celebration on Thursday, October 10, 5:30 to 8 pm, and is on view through Sunday, February 9, 2014.
“American art has played a central role at the RISD Museum since its earliest days, and we celebrate this legacy with Making It in America,” says Museum director John W. Smith. “Drawn exclusively from our phenomenal permanent collection, this show is our first in-depth exploration of this subject in many years.”
Making It in America liberates artworks from the Museum’s galleries, storage vaults, and the historic period rooms of its Pendleton House wing, repositioning them within the broader context of American styles. These exceptional pieces, created between the early 1700s and early 1900s, are presented as examples of both artistic processes and aspirations.
Just as individual accounts of American life revolve around searches for freedom, fulfillment, and identity, these stories are also embedded in objects that comprise the history of American art.
“The title is a double entendre that asks our viewers to think about art making and about how American art demonstrates American ideas about success,” explain exhibition co-curators Maureen O’Brien, curator of painting and sculpture, and Elizabeth Williams, curator of decorative arts and design. John Singleton Copley’s grand manner portrait of Moses Gill, for instance, illustrates the escalating wealth, social standing, and political capital of the 30-year-old merchant and future Massachusetts lieutenant governor. The land of opportunity is seen in painter Thomas Cole’s striking depictions of the American wilderness—unspoiled nature ripe with promise. Closer to home, finely designed furniture with hand-carved motifs from Newport’s Townsend and Goddard workshops rivaled European examples in the 18th century, while the glorious excess of monumental silver works by Providence’s Gorham Manufacturing Company represented the city’s ambitions into the 19th and 20th centuries.
Making It in America also touches on a theme for which the Rhode Island School of Design (RISD) is best known: the process of making art, a subtext of the show which provides a loose timeline of what happened in American art making and when. The exhibition’s intertwined threads of making art and representing achievement are woven into RISD and the
RISD Museum’s own history. Inspired by the international display of art and commerce at the 1876 Centennial Exhibition, the College and Museum were established in 1877 with the mission to train American designers and publicly promote American art. The Museum’s earliest “contemporary” purchase, in 1901, was Winslow Homer’s thundering seascape On a
Lee Shore (1900), soon followed by the acquisition of important colonial portraits and American landscape paintings. In 1906, the RISD Museum built Pendleton House, the country’s first museum wing devoted to the display of American decorative arts, thus elevating the importance of native craftsmanship in the study of material culture.
The co-curators note that this exhibition provides exciting opportunities for visitors to explore the Museum’s rich holdings, closely examining objects that may have been behind ropes in period rooms or held in storage. Williams, who joined the RISD Museum in January and has spent much of her first year exploring the diverse decorative arts collection, looks forward to presenting 60 pieces of silver, furniture, glass, ceramics, and jewelry—more than half of which haven’t been on view in decades.
“Although many of the works in Making It in America have been on view in galleries throughout the Museum, visitors who see discrete selections rarely get a sense of the scope and quality of our collections,” says O’Brien.
Exhibition designer Thomas Jayne is a renowned decorator, decorative arts historian, and principal of Jayne Design Studio—specializing in interior decoration and product development. Jayne, who trained in the Winterthur Museum’s graduate program for American material culture, incorporates historic—and unexpected—patterns and colors to create a stunning installation that highlights the evolution of color and pattern in American design.
Jayne’s previous clients include Winterthur; Edith Wharton's country home, The Mount; the Brick House at the Shelburne Museum; and private collectors. Jayne was recently honored with the 2013 Arthur Ross Award for Interior Decoration from the Institute of Classical Architecture & Art. Drawing upon the past, he seeks details that deepen and enliven a room, exquisitely connecting history and place.
About the RISD Museum
Southeastern New England's only comprehensive art museum, the Museum of Art Rhode Island School of Design—also known as the RISD Museum—was established in 1877. Its permanent collection of more than 87,000 objects includes paintings, sculpture, decorative arts, costume, furniture, and other works of art and design from all over the world, from ancient times to the latest in contemporary art.
For more information please visit: RISD Museum