Exhibitions Baton Rouge. The Line That Roars. Political Cartoons in the Age of Anxiety. The LSU Museum of Art. The Curated Object

The Curated Object

THE CURATED OBJECT is a NON-PROFIT project offering a comprehensive list of DECORATIVE ARTS and DESIGN EXHIBITIONS. Readers can search according to the CITY, COUNTRY OR OPENING MONTHS of the exhibition. Please contact editorial director, Joanne Molina, to submit exhibition material Joanne@CuratedObject.us

Kind Words for The Curated Object

The Curated Object would like to take a moment to extend our gratitude to the editors at THE MAGAZINE ANTIQUES for their generous ACCOLADES and for adding us to their ONLINE RESOURCES. For years we have been enamored with their intellectual and aesthetic prowess and are always inspired by their commitment to cultural education. And as a not-for-profit venture we appreciate the kind gesture, which means much more than they probably know. We humbly offer our thanks.

We are so grateful to Regina Yunghans Kraus at APARTMENT THERAPY who found a moment to stop by and pen her thoughts: "Design inspiration for those of us who are "interested in decorative objects and those who find our engagement with them compelling," The Curated Object is a one-stop shop listing current decorative arts and design exhibitions. The blog also serves as an incredibly inspiring little browsing experience that's proven to be an awesome resource of beautiful design objects that inspire. The following is just our further curated selection from their already well-curated objects"
Our hearts pounded when we read our review in ZINK MAGAZINE's Design Issue "It's the latest cyberporn for design voyeurs: The much-anticipated site The Curated Object is where journalists, curators and lovers of expertly executed objects are finding the latest design and decorative arts exhibitions to ogle. Consider yourself addicted."
From JEN RENZI, the fabulous EDITOR at GLAMNEST : "I just discovered this site and I’m already hooked. Devoted to the decorative arts, it has a comprehensive international calendar of design goings-on (like the Mint Museum’s cut-glass show, below), great reviews of said shows (with tons of photos, just in case you can’t see in person), and a bazillion links to indispensible design resources. I even love the shout-outs from esteemed designerati on the site’s left-hand nav! It’s a juicy gallery guide–and so much more."
LISA VINCENTI, former EDITOR-IN-CHIEF of INTERIORS MAGAZINE offers her blessing: "Far too often, the internet steers us in the wrong direction or inundates us with unwanted information. The Curated Object is a welcome newcomer scouring the globe for exhibitions of wonderful things, something I never get enough of. Few other design or decorative arts resources are as comprehensive or helpful in sorting through the clutter. This is a site I'll return to again and again."
Pop in on us at The CHICAGO SUN-TIMES
JONATHAN BELL at THINGS MAGAZINE offered good wishes and a nice mention.
“If you’re like me, you find great pleasure in seeing interesting objects and physical forms. Throughout my screen-laden days, I take great joy in experiencing the effects of beautifully (or peculiarly) defined shapes, materials and textures. It may be a tightly woven coaster made of reclaimed Chinese magazines or the beautiful curves and weight of highly designed teapot that gives some very concrete solace. Sometimes the variety, rarity, expense or circumstances of great objects make them difficult to have close enough to be appreciated. Thankfully, a wonderfully robust resource just made its way to my inbox and I couldn’t be happier. The Curated Object is an extremely rich listing of object-centric exhibitions around the world, from archeological to artistic, functional to superfluous. I’m looking forward to Silversmiths To The Nation. – RANDY J. HUNT, Founder and Proprietor of CITIZEN SCHOLAR
What surrounds us, especially what we choose to be surrounded by, composes our memory palaces. The Curated Object reminds us of the wonder of things, their character and craft, and their unselfish sense of time and place. It is a rich resource worth revisiting to help gain the kind of orientation that only objects provide.--NATE BURGOS, Designer, Writer, Collector, Founder of DESIGN FEAST
JESSICA HELFAND sent her good wishes and an observation at DESIGN OBSERVER....
“The Curated Object will become an important resource for collectors, designers, journalists, and enthusiasts from across the spectrum of design. At last, the design world will have its own clock.”- ELLEN LUPTON, Curator, Design Journalist, Writer, Critic and Proprietor of DESIGN, WRITING, RESEARCH

CONTRIBUTORS

JOANNE MOLINA, EDITORIAL DIRECTOR
I'm interested in exploring how aesthetic theory and design/art criticism offer critical vocabularies for thinking about objects, architecture and space. What's important to me is supporting interesting people, projects and reading good books. As senior arts + culture editor at Interiors magazine, I worked with internationally renown artists, designers, fashion designers, chefs, and freelance writers to collaborate on essays about travel, cuisine, and the arts. I did my graduate work in philosophy and aesthetics and taught at DePaul University. I am a former co-editor with Mark Wallace of the language and post-language poetry journal, SITUATION and edited the chapbook series, Propjet.
NATALIE FASANO, CONTRIBUTING EDITOR
Natalie Fasano is a freelance writer based in New York City. Though her event coverage has included a variety of social, political and cultural subjects, her interest in focusing on the Arts began recently, at the opening of the Ron Arad: “No Discipline” exhibition at the MOMA. Natalie focuses on in-depth interviews with artists to accompany objective discussion of his or her work, and believes strongly in the highly intellectual and stimulating social sphere fostered by the international artistic community and its patrons. A truly successful event is always greater than the sum of its parts--the piece, the artist and the voyeuristic visitor--and Natalie takes great pleasure in seeking, throughout the course of an evening, an overarching theme that contributes to our modern understanding of Western society and culture. You can reach her at nfasano3@gmail.com
ELIZABETH "Cappi" WILLIAMSON, SENIOR EDITOR
Cappi’s love for design began at Southern Accents magazine, which lead to a post at Interior Design magazine, as well as freelance writing assignments for magazines such as Interiors. She has also written on books, cultural events, and all things New York for web sites like Flavorpill and WhereTraveler. She is based in New York City and can be reached at cappi.williamson@gmail.com.
JOANN GRECO, SENIOR EDITOR
JoAnn has been writing on art and design for twenty years and she is editor of THECITYTRAVELER . As a former contributing editor to Art & Antiques, she covered topics as diverse as artists books, Hokusai prints, and Emilie Galle vases. In addition to covering crafts, jewelry, collectibles, interior design, and architecture for Conde Nast Portfolio, Metropolis, Interiors, Philadelphia Home and Garden, American Style, Romantic Homes, Seven Arts and Kyoto Journal, her articles on travel, business and lifestyle subjects have appeared everywhere from National Geographic Traveler to Washington Post, from Woman's Day to A&E Monthly. She can be reached at jphila@aol.com and JOANNGRECO.COM

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David I. Norwood, George W’s instant Democracy, Published: The Advocate, April 17, 2004, © Capital City Press, Baton Rouge, LA.

The Line That Roars: Cartoons in the Age of Anxiety
September 27, 2007-February 10, 2008

From politics, fables, and local debates, to fuel costs, sport antics, and (un)natural disasters, editorial cartoons say it all. The LSU Museum of Art in the Shaw Center for the Arts is presenting The Line That Roars: Editorial Cartoons in the Age of Anxiety. The Line That Roars demonstrates the influence, power, and effectiveness of editorial cartoons in reflecting many of the major issues of American life. This exhibition spans the careers of three award-wining artists: David Norwood of The Advocate in Baton Rouge, Steve Kelley of the New Orleans Times-Picayune, and two-time Pulitzer Prize winner, David Horsey of the Seattle Post-Intelligencer. This highly selective exhibition will feature approximately 150 original artworks created during the past ten years (from about 1997 to 2007).

“The currency of political and social events treated by these popular artists—political hijinks, election controversies, Iraq and the Middle East, the local and national sports scene, for example—should attract favorable attention and a wide range of visitors to the LSU Museum of Art. The exhibition is designed to appeal to a number of audiences: the general public, students, and specific interest groups in the areas of journalism, political science, and art.” -Richard West, Guest Curator

The LSU Museum of Art could not present quality exhibitions and programs without the support and generously of sponsors who support the exhibition. The sponsors for this exhibition include Louisiana Office of the Lt. Governor, Department of Culture, Recreation & Tourism; Louisiana Endowment for the Humanities; Reilly Center for Media and Public Affairs; LSU Alumni Association; Tiger Athletic Foundation; The Advocate; Clear Channel Radio Baton Rouge; Jerry and Chuck Schwing; Sue Turner; Friends of David Norwood; Office of the Mayor-President, City of Baton Rouge, Parish of East Baton Rouge and The Riverside Reader.

For more information please visit: The LSU Museum of Art
-Joanne Molina

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